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The Grinch—he hates Christmas. He hates it a lot. He hates the decorations, the songs, the presents and especially those dreaded Christmas cookies! The whole holiday season just brings back bad childhood memories for him. And, even it if weren’t the Christmas season, he truly believes that, other than for his buddy Max and a local Who that he knows, he is better off alone. But this year, Christmas is different in Whoville. It’s bigger and better. In fact, the mayor wants it 3x bigger than last year! “3 times bigger!” the Grinch thinks, “Why, oh why!” So he comes up with, a mean, old dastardly Grinch of a plan: stop Christmas from coming. But how, you might ask? He’s going to steal Christmas from the Whos—the decorations, the presents, the lights, all of it. Will he be able to pull it off? You’re a mean one, Mr. Grinch. “Dr. Seuss’ The Grinch” is a tale that many of us could tell over and over again. Whether you are a fan of the original book or the Jim Carrey version(which I a...

Type Vir Das into Netflix’s search field and you’ll find two of his Bollywood movies, Delhi Belly (2011) and Gollu and Pappu (2014). In America, you won’t find his 2016 big-budget sex comedy, Mastizaade. Was Netflix doing him a favor? In his newest stand-up comedy special, Vir Das: Losing It, the comedian references Mastizaade as a career mistake that newspaper critics in India called “career suicide,” and claimed his phone stopped ringing for five months after the film debuted. It wasn’t all bad, though. “I got to romance Sunny Leone on set for two months” while making the movie, Das noted. Losing It is a bit of a sex comedy in itself. With his first Netflix comedy special, Abroad Understanding, Das proved his comedy bona fides in America by using footage from both a New York City theater and a New Delhi arena. And he wants us all to know how well he’s doing now, joking about putting on an American accent to “be more Indian” and taking his stand-up on tour to 33 countries (and if you ...

Everything you need to know about this latest  Transformers  is contained in a multi-car pile-up. Near the film’s finale, a desperate pursuit sees a car hurtle towards a four-way junction. It skids to a stop inches from the bumper of an oncoming lorry, while cars from either side — displaying a keen observation of DMV-regulated stopping distances — screech to a similarly timely halt, leaving both paintwork and insurance premiums intact. It’s considered, restrained and genuinely amusing (“I saw this on  Miami Vice !” quips the dad behind the wheel). Total Bayhem, though, it most certainly is not. As every six-year-old at play eventually discovers: mindlessly smashing toys together is never as fun as imbuing them with personality, and in Christina Hodson’s playful screenplay we’re presented with a robot protagonist brimming with inner life. Knight’s experience at Laika comes to the fore here, years of painstaking stop-motion lending an eye for expression as Bee takes in the...